Tomorrow and Tomorrow and Tomorrow

In the dark theater, made darker by the wood paneling and Elizabethan flourishes, I prayed. Hard. I didn’t care about anyone seeing me, eyes closed, hands clenched tightly, lips moving quickly and noiselessly. What mom wouldn't understand my praying right now?

Jack’s class was about to take the stage at the Folger Shakespeare Library to perform an abridged version on Macbeth. Jack, who had just turned twelve, was playing Macbeth. It was almost more than my nerves could take.  “Please don’t let him forget his lines. Help him not to be frozen like a deer in the headlights and then run weeping from the stage. Help him!”

 When Jack confided the night before during snuggle time that he was afraid of getting up on that stage, I dished out my regular fare. “Your nervousness just means you care about how it goes. That’s adrenaline. It will help you focus and do well. That’s always how it works with me,” said the woman who had never, ever graced a stage unless you counted delivering one line as Tiny Tim in a church basement production of A Christmas Carol “God Bless Us Everyone.” Indeed.

“God, please bless Jack. Now!”

The spotlights turned on. Jack hit every line and nailed his entrances and exits. He even had to go with a change of plans when time was short and change from one shirt to another on stage versus offstage.

Acting was Jack’s sweet spot.

Even though in conversation he spoke so quickly he was sometimes hard to understand, in acting he enunciated clearly. When I’d pick him up from school or a sporting event I’d find my mother heart asking, “How did it go?" but really meaning, "Was it a disaster?” but when I’d pick him up from theater camps, it was like picking up a mini rock star. “Hey Jack’s mom! Jack rocks!” counselors would yell across the parking lot.

We didn’t record the whole play, but Tim did turn on his phone to capture this famous soliloquy:

“To-morrow, and to-morrow, and to-morrow,

Creeps in this petty pace from day to day,

To the last syllable of recorded time;

And all our yesterdays have lighted fools

The way to dusty death. Out, out brief candle!

Life’s but a walking shadow, a poor player

That struts and frets his hour upon the stage,

And then is heard no more. It is a tale

Told by an idiot, full of sound and fury,

Signifying nothing.”

Act 5, scene 5, 19-28

It guess it was Shakespeare’s version of our 1980’s mantra, “Life’s a bitch and then you die.” It’s tough to watch any movies with Jack in them, but even more so as he delivers such a depressing indictment of our short, meaningless lives, only 3 months before his accident.

I have the hope of heaven, and like many bereaved moms, I operate with one foot here and one foot there. Death holds no sting or fear for me at all anymore.

But what about now? But what about the in between time, when I'm charged with continuing on, with living? Did Macbeth get it all wrong? Is there meaning in this life? Is there vitality and spirituality and significance right here? Right now?

I believe there is. Our lives may be short, but they are not meaningless. I don't  know what I plan on doing with the rest of my days, but I know I don't want to just strut and fret my hour on the stage. And I'm guessing watching reality tv and eating ice cream, which are my current past-times, are not quite the meaning and significance I'm thinking of...

What about you?

What are you doing with your awesome, hard, significant hour?